Happy World Day Against Cyber Censorship

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The making of the last scene

yes, after four years, I shot my last TPB AFK scene at the ACTA-demo in Copenhagen this Saturday. also, it’s now clear that the main character in my film has released more clips about me than I have about him. #fail

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Introducing the Linkontrol

We just built a popcorn remote control to handle the links we’re going to embed into TPB AFK. Yep, you’re gonna get curated links related to the film on your phone while watching it from your sofa.

Building this we actually won the first prize in the super inspiring To Be Done hackathon. Thanks again Petter, Patrik, Kaj and all the great Chinese children at Foxconn for building this revolutionary remote. We call it the linkontrol!

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The Pirate Bay court case is over

The Supreme Court decided not to grant the Pirate Bay founders an appeal leave, which means that the previous verdict of jail sentences and $6.8 million in damages will stand.

It also means that we can start planning the release of TPB AFK.

There is still much work left however. Right now we’re half way through the edit. We hope to have a roughcut ready by summer and do the post production, sound editing and music after that.

Hopefully we can premiere the film on a film festival and on the internet simultaneously, probably sometime late 2012.

Thanks for your patience!

/Simon

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Are we first on earth with an html5 remote? TPB AFK Augumentary v0.2

I have a bipolar relationship to html5 and video.

As a curious film consumer I love the way embedding links into online video can broaden and contextualize – not just documentary storytelling – but all kinds of storytelling. As a filmmaker however, I think links in the middle of a movie frame are a distracting threat to the story as well as to the cinematography.

So. We came up with a way to munch the cake and stash it too. We connected a dual device – your smartphone, tablet or second computer – so you can sit in your sofa and get all the links in your lap – synched to the film you’re watching full screen. That way you can check out the links after or during the film and you won’t have to see them blinking all over that fabulous cliffhanger end scene.

The first part of our Augumentary demo (try it yourself!) was made using popcorn.js by the great team of Henrik, Greg, Nick and the remote controlled part by Jon and David. Also thanks to the entire Mozilla team for putting us together!

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oops I filmed the birth of a religion

Sometimes you shoot a dialogue and you think you’re shooting a joke. Then the footage runs off and becomes reality. The news that The Missionary Church of Kopimism is a registered church of filesharers reached me all the way to my vacation hideout in Bamako. I shot this scene with Tiamo and Brokep in Stockholm in October 2010. Really, this Pirate Bay saga keeps transcending the bizarre.

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The first doc I helped crowdfund is a tyrant’s horror flick

You know the feeling when you support a crowdfunding campaign out of the blue just because it sounds decent and then the flick you backed turns out to be mindbending?

I didn’t until now.

How to Start a Revolution is the first film production I’ve given 30 bucks. The pleasant surprise of having contributed to a strong film on the humble, opressed people’s hero Gene Sharp and his From Dictatorship to Democracy (download pdf) makes my first experience as a backer a wild one.


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Congrats Chris K!

I first met net activist Christopher Kullenberg, filming a TPB AFK scene when he was recording music in the Pirate Bureau’s bus during the Pirate Bay trial in 2009. Last week he was named ‘the Swede of the year’ by the news magazine Fokus. The reason is his work with Telecomix that helped hooking up pro-democracy activists in Egypt with internet infrastructure when Mubarak pulled the plug during the arab spring.

I bumped into Chris K at #net4change last month, where a bunch of bloggers, hackers and human rights folks like Maryam Al-Khawaja (in the video beneath) got together. Here’s a couple of thoughts from the Swede of the Year 2011.

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An eye for an iPod

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The Augumentary, version 0.1

We are really stoked to show you our first rough demo of TPB AFK: The Augumentary (using html5 and popcornjs). By embedding links into the documentary the audience can check facts for themselves, connect with people in the film and become part of the documentary themselves.

Press the image below and try out the demo yourself.

- Set your browser to fullscreen (e.g. in Firefox & Chrome Command Shift F)
- Mouse over the links and the video pauses.
- Press a white title to jump to that frame in the clip.
- Press a green URL to take you to the web page in a new tab (the video pauses).
- Switch the Augumentary layer on/off with the +/- in top right corner.


(press image to try the demo!)

Thanks Henrik, Greg, Nick and the entire Mozilla team for making this work!

Some design and bugs to fix, but after two days of coding and brainstorming at Mozillas Media Freedom and the Web-festival, this is as far as we got.

This has crazy potential. Please feedback!

/Simon

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Thoughts on #net4change and a stolen tracking device

Sure. I guess you don’t put your phone on the floor when you crash on a night train. Even if it’s 10 cm from your pillow. Naturally, you go to bed with your gadget. Still, fat dude on bunk 82, wagon 5, did you strategically snore all night so you could snatch my phone when I was down and out? Or was that just a convenient coincidence?

I was travelling to Stockholm to film a TPB AFK scene around the seminar Internet and Democratic Change where a bunch of hacktivists and people from human rights organisations got together “to discuss strategies and possibilities for the future”. Network nurturer Marcin de Kaminski of the Julia Group and one of the Pirate Bureau founders, had curated an inspiring line up of speakers.

One of them was the super cool Egyptian democracy activist and blogger Salma Said. “I didn’t use twitter in the revolution” she said “I used rocks”. You can tell her frustration is for real when she talks about how Western media constantly exaggerates the role of Twitter and Facebook in the Egyptian revolution. “It’s not just inaccurate” she says “but insulting. Yes, we used the internet, but to exclude the elements that led to the revolution and only focus on a communication tool is wrong and misleading. It points to one class and one social background, making people think that the revolution was carried out by middle class, English speaking girls. These conferences are good but instead of talking about empowering people with the internet, you should pressure your governments to stop empowering the dictators. People will use the internet anyway. And, no, I’m not gonna thank Gramham Bell for the Egyptian revolution either.”

After the seminar we hung out with her friend and equally sharp videoblogger Sarrah Abdelrahman who just won the Swedish Edberg Award.

Hacker and TOR-developer Jake Applebaum started his talk by pointing to the paradox that to many Western governments, including the Swedish one, building open internet infrastructure in the Middle East makes you a hero while building the same infrastructure in western countries makes you a crook. A crook like Peter Sunde.

Applebaum emphasized that the internet in itself is a system for surveillance and that the network should be treated as hostile. He encouraged people to work towards developing communication tools with built in, default encryption instead of the way it works today.

When he asked the audience to recontextualize their smart phones as their own personal tracking devices, constantly surveilling you – for a second – I felt relieved that that dude stole my phone.

If someone knows how to go back to a life with a dumb phone, holla back! As pathetic as it sounds, I’m in serious cold turkey mode whenever I’m not carrying the interwebs in my pocket.

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New Pirate Bay Cables

With Wikileaks latest release there are at least 12 cables mentioning The Pirate Bay.

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Welcome aboard Henrik

This blog turns 1 today, happy b-day!

To celebrate that, I’m really glad to announce that Henrik Moltke will be helping me out with the project before K starts editing in November. Among a bunch of other inspiring projects Henrik helped start up Creative Commons in Denmark, worked at Mozilla’s Drumbeat and helped out brewing open source free beer.

Also he co-directed one of the great inspirations for TPB AFK, the Rosforth produced 2007 documentary Good Copy Bad Copy. The production wasn’t just groundbreaking subjectwise but also by negotiating a contract with the Danish National Broadcastor DR that enabled them to release the film online for free as well. That’s how we roll!

Check out the full movie here!


Directed by: ANDREAS JOHNSEN, RALF CHRISTENSEN, HENRIK MOLTKE
Creative Commons License BY-NC

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Hacknight & CCC

After logging and editing for the past 7 months it’s great to shoot some scenes again. It’s time for local hackerspace Forsken’s hacknite and a trip to Chaos Comunication Camp in Berlin.

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Finally an editor!

I’m super proud to announce that TPB AFK will be edited by Per K Kirkegaard. He last edited the monstrous masterpiece Armadillo about Danish troops on their first mission in Afghanistan. I’m certain he’ll do just as well on a movie about the invasion of the internets.

Big up kickstarter backers for realising my dream! Welcome aboard K!

Armadillo is produced by Fridthjof Film

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Brokep’s making of

Apparently even the main characters in my film think I post too few clips. Brokep’s doing his own Making Of in Laos over here. Can someone shut me up?

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Crowdfunding makes traditional documentary funding more fun

The other week TPB AFK was selected to pitch at Hot Docs Forum in Toronto – ‘North America’s essential market for the international documentary community’. It’s great news! (Swedish article). It’s also cool to see that Hot Docs and the traditional documentary world is teaming up with Kickstarter with their own curated page.

Financing an indie docu is pretty far away from financing say, the movies that the companies suing the Pirate Bay are producing. At Hot Docs you get seven frantic minutes to pitch your film to a sea of TV-commissioners, distributors and film institutes. If you do well at the somewhat artificial moment on stage, the meetings after your pitch might lead to funding and/or distribution.

The typical hesitant response I got from TV-commissioners before I did the Kickstarter campaign was ‘Why would viewers in my country want to see a story about Swedish hackers?’ Our crowdfunding campaign put an end to that discussion and taught me that the documentary industry, much like the music industry’s A&R’s, don’t always know what their audiences want.

I also learned that the industry call the people that back or follow my unfinished film a ‘built in audience’.

Funding TPB AFK is pretty close to what’s been happening in the music industry over the last years. Musicians hook up with their audiences through Facebook, Youtube and Spotify (RIP Myspace). The likes and the views are the currencies they use to negotiate their deals with lables and publishers. I use my traffic the same way – to show traditional financers that backing a project with an existing audience means less risk for them.

The crowdfunding part in TPB AFK shouldn’t be seen as a substitute to traditional documentary funding, but as a powerful tool within the multi faceted funding model we’ve ended up with. Plus it’s great fun. The instant feedback from thousands of internet strangers is the strongest motivational force I’ve experienced.

Now I just gotta figure out how to get my tuk-tuk to Toronto.

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Internets Most Wanted

In the same building. In the same movie. Then TPB, Wikileaks & 4chan. Now Flattr, Openleaks & Canvas.

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Tack!

Last week the Swedish Arts Grants Committee (Konstnärsnämnden) decided to grant me SEK 200 000 (roughly $30 000) for finishing TPB AFK. Since I’m in the middle of setting up the editing schedule in Denmark the money comes as a warm welcome. I’ll break down the budget transparently as soon as the financing work is finished.

Konstnärsnämnden is a government agency whose function is to support artists and to ‘compile information on the financial and social conditions of artists, in order to provide basic data for the government’.

If TPB AFK can send a signal to the Swedish government how an open internet can benefit independent artists’ financial conditions, maybe they’ll revaluate their schizophrenic internet policy. To me it’s incomprehensible how they praise internet activists that help spread democracy in the Middle East and at the same time oppose the same activists building an open internet in Sweden.

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Totally not related

But still. 5 bucks later TPB AFK is being edited on an organically farmed teak laptop.

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TPB #Cablegate

Read what the Stockholm Embassy is saying about TPB in last weeks Wikileak’s cable here.

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Creative Commons curated page on Kickstarter

Check out TPB AFK and fellow crowdfunded Creative Commons licensed projects here!

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Dear Facebook Group

I’m starting Phnom Penh’s first rooftop youtube cinema instead of doing that crappy docu. Thank’s for the dough Kickstarter.

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Phnom Penh Branch

Tomorrow marks the first day in the year of the metal rabbit. I’m celebrating the Chinese new year’s on the roof terrace of TPB AFK’s official Phnom Penh Branch.

My original plan was to start editing TPB AFK with a friend in Brooklyn. Thought I’d show him, and you, why a slice of the crowdfunding cash went to a rooftop in Phnom Penh instead.

I ended up renting this place with a bunch of good friends – Finsta, Frej Larsson (Maskinen & Slagsmålsklubben), Simon Gärdenfors, Promoe and IRK.

Is it ironic that I’m editing a piracy docu in a house full of musicians, illustrators and comic book artists?

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In some bizarre way it feels lame to get a prize for an unfinished film project, but I’m going to be honest here: I’m extremely proud! Thank’s again backers, the kickstarter academy and mom for helping me realize my dream.

As of today you can choose to have me harass you on twittter as well, follow me on @simonklose

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A cup of coffee and 4 TB

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The coldest winter in 100 years

The verdict that was announced last month reached two of the TPB founders through a shaky internet connection in a sleepy South East Asian suburb. They had just stepped off a karaoke session on a Mekong riverboat. Nobody was surprised. Less jailtime and a life time of economic debt.

Having shot the pirates in Asia I flew to Senegal to do my last regular cameraman job (before the Kickstarter cash magically materialized in my account), for Musikhjälpen a Swedish public broadcaster fundraiser against child exploitation. Finally it seems I can afford to work full time on TPB AFK.

I’ve decided to try to find an editor in Copenhagen. Denmark has a vibrant film climate and some really talented editors. The past week I’ve spent discussing TPB AFK’s storyline with Janus Billeskov a great editor and an experienced storyteller that is helping me formulate the film without doing the actual editing. It’s been a fruitful injection of dramaturgy for me, answering some questions but mostly raising new ones, forcing me to define the storyline as much as my intentions with the film. Hiring him was made possible by You, sincerely greatful for that.

A couple of weeks ago Swedish metereologists claimed that the coldest winter in 100 years is here. With the TPB verdict, the soon to be passed Data Retention Directive and the Wikileaks cable about the leery cooperation between Swedish and American intelligence you better dress properly. It’s cold out there.

Hook Santa up with a link to our brand new store here.

Merry Christmas!

Simon

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Check check

Today was frantic!

I was in a panel discussion at Copenhagen’s film festival CPHDOX discussing crowdfunding with Yancey Strickler and the audience.

It was great to finally meet my first backer Yancey. In a minute he went from being some creepy anonymous internet dude to a sincere person who seemed genuinely interested in my work. More artists should try this thing. Thanks again for your 10 bucks Yancey (and for founding Kickstarter)!

In the middle of the discussion – was it during the question about the Swedish taxsituation? – Klara Grunning-Harris came up to the stage and handed me an envelope. Klara is a dear friend and colleague who generously lent me an American bank account so I could realize the Kickstarter project. Thanks again Klara!

$43 200 is what we got after Kickstarter and Amazon took their cut. I better leave this at home if I end up in that film festival bar.

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‘This Material is Not Covered by Copyright’

The last day of the trial had a great surprise for me. It turned out that the filmed interrogations from last year’s District Court hearings can be obtained by the people being questioned. Guess who’s suddenly sitting on hours of meticulously composed 4×3 DV-quality .avi files shot by the great cinematographers of Stockholm District Court?

For all you troglodytes who are still wondering about the title of this project, here’s a screenshot for you.



In an email about the legal status of the video interrogations one of the court of appeal judges briefed me that ‘This material is not covered by copyright law’.

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The trial is over

Under a huge oil canvas of King Karl the 11th the Pirate Bay hearings in Svea Court of Appeal closed last Friday. After a couple of animated concluding speeches from the pirate’s lawyers the judges announced that the verdict will be presented on Nov 26. We all took a ride in the pirate bus and had chinese food in Hemliga Trädgården.

Personally it’s been three exciting but tumultuous weeks with little sleep and lots of filming. Now the process of looking for editors begins for real.

/ Simon

Photo by Frank Aschberg

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51424 thank you’s!

A week ago we successfully finished our crowd funding campaign at kickstarter. We raised 51424 USD from 1737 backers. Yes, that’s about 29 dollars per backer.

During our one month adventure we had over 400 000 unique visitors from more than 170 countries checking out our campaign. I had no idea we had support from Honolulu and Curitiba to Jakarta and Novosibirsk. Now that I now, it’s hard to stop smiling.

In court it’s been a hectic week filming. In the new Swedish court system you are not allowed to enter any new evidence in the Court of Appeal. So we are watching videos from the interrogations done in the District Court last year.

Watching the absent Anakata answering questions on a screen in court felt like watching the extra material of the film I’m making. Which is almost as meta as Tiamo wearing a t-shirt with the cover artwork of the film while I’m shooting it.

Episode 3 of A Swedish Perspective is finally up. Animating by hand takes time so bear with us, the last two episodes are coming soon.

Saludos from the balcony where the kickstarter campaign was made!

Simon

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TPB AFK Clip – ANAKATA

Check out our last clip during our kickstarter campaign.

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TPB AFK Clip – BROKEP

The second clip:

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TPB AFK Clip – TiAMO

Here’s the first out of three TPB AFK clips we’ll be releasing this September.

Also we’ve posted the second episode of A Swedish Perspective here.

Ogg versions here (thanks Osama!)

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Finally a blog!

At last! A sunny corner of the internet to keep you posted on the making of the documentary The Pirate Bay Away From Keyboard. The movie focuses on the personal processes of the Pirate Bay founders Tiamo, Anakata and Brokep.

Apart from giving you a peak of the film work, this blog is a way for me to explore new ways of financing documentary projects. Today it’s exactly one month until the Court of Appeal hearings start in the Pirate Bay trials. I’ll use this month to raise 25 000 USD with the help of our good friends over at kickstarter. The money will be used to edit the material as soon as the trial is over.

Our small crew has put together 4 short clips from TPB AFK to be released here every week this September. We’ve also put together a short discussion forum and produced an animated 5 episode miniseries about copyright conflict called ‘A Swedish Perspective’.

We think that creating this discussion will help us find more ways of financing the film.

Many of my friends are artists and musicians. Some are indie, some are on major labels. Some support filesharing, some hate it. To get my own head straight I started out by talking to a bunch of Swedish feature film producers, researchers and internet entrepreneurs. They all agree that the current copyright legislation needs to be updated to the realities of the new technologies. Read about their experiences in You Can Help.

The process of documenting processes is unpredictible. If the Swedish court process doesn’t miraculously speed up in The Pirate Bay trials, we’re at least a year away from the opening night of TPB AFK.

TPB AFK is not a fan movie about the Pirate Bay, neither is it a journalistic piece on copyright conflict. It’s an observational, character driven film about three guys whose hobby homepage became the embryo of a global political movement.

TPB AFK is in the making, follow our process here,

Simon Klose,
Director

South East Asia, August 2010

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